F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a website about Indigenous experiences of invasion and war during the British invasion, World War I and World War II. The resource is presented in three sections: Introductory information; Story Objects; and Story Education Resources. There are eight story objects that tell the stories of individuals, events and ...
This is a resource about life on the land in Australia in the 18th, 19th and 20th centuries. It includes details about land grants allocation, the establishment of Australia's first farms, the condition of the land, the processes used to farm the land, and case studies about the early farming families in Australia. The ...
This is a rich collection of stories that focuses on the life experiences of two individuals, one of Greek heritage and one of Polish heritage, who immigrated and settled in Victoria post World War II. The resource explores how these people shared their cultural heritage and how this enriched Australian life at this time. ...
This is a website about the women’s suffrage movement in Victoria in the 19th and 20th century. The resource is presented in three sections: Introductory information; Story Objects; and Story Education Resources. There are 17 Story Objects that tell the stories of how Victorian women won the right to vote, key participants ...
This is a rich resource about the lives of Muslim people who came to Australia from Asia and Europe in the 18th, 19th and 20th centuries. Developed by the National Archives of Australia, it consists of a historical essay by Hanifa Deen illustrated by a collection of archival documents and images. The resource has five tabs: ...
This is a set of six drawings by the Aboriginal artists Ilontereba, Mindilpilpil and Billiamook. The set is prominently titled 'THE DAWN OF ART' with smaller text stating that it shows 'Original Sketches and Drawings by Aboriginal Natives of the Northern Territory of South Australia executed without the aid of a master. ...
This is a wooden shield from the Aboriginal people of the rainforest region of north-eastern Queensland. Known as a 'rainforest shield', it is painted yellow, red, white and black using natural pigments. Collected in the 1890s, it is 96 cm long x 37 cm wide.
This sepia photograph of an Indigenous rock painting shows several stencilled hands and what appear to be boomerangs. In some of the images three fingers and thumb are prominent and in the central image the little finger is bent. The images appear to be well preserved. The photograph was taken in 1938 at Carnarvon Gorge ...
This 1938 sepia photograph of a large Indigenous rock painting displays many stencilled hands, boomerangs, coolamons and a net-like shape, possibly representing a cycad, on a cliff wall in Carnarvon Gorge in central Queensland. A large rock near the wall shows some engraved art. The photograph was taken during the second ...
This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.
This is a black-and-white print, measuring 17.7 cm x 21.6 cm, created from a wood engraving. It shows two men seated on a horse-drawn, two-wheeled buggy. Nine miners are gathered by the buggy, awaiting the delivery of letters, reading letters or newspapers and exchanging news. Although not visible on this image, the title ...
This is a black-and-white photograph showing large groups of poorly dressed indentured Pacific Islanders planting sugar cane on a plantation at Mackay in Queensland. Fourteen or more Pacific Islanders are manually placing sugar-cane cuttings at regular intervals in long furrows. Two mounted white men oversee their work ...
This is a black-and-white photograph showing indentured Pacific Islanders and their families posing by their slab-hut homes, probably on a coastal Queensland sugar plantation. They are wearing Western-style clothes, with the women in long skirts and the men wearing jackets and trousers. The huts appear to have been constructed ...
This black-and-white photograph shows Pacific Islanders mustered at the Cairns Court House in Queensland awaiting a medical examination prior to their deportation under the Australian Government's 1901 Pacific Island Labourers Act. The group, including a woman, some children and an Islander holding a bicycle, would probably ...
This is a drawing of the two-masted brigantine 'Para', probably completed by Master Mariner William Wawn during a successful five months voyage to the Solomon Islands in 1894. One of a series of sketches of his impressions of the islands in pencil, ink and watercolour, it shows the recruiting ship offshore at anchor, as ...
This sepia photograph shows around ten Pacific Islander labourers in a sugar-cane field at Bingera Plantation near Bundaberg in Queensland as the cane is being harvested. A well-dressed European man and two young children pose in the cleared foreground, while in the mid-ground stands a fully laden horsedrawn wagon with ...
This is an Aboriginal forehead ornament from the Northern Territory, believed to have been made in the early 1900s. It comprises more than 30 kangaroo teeth, each embedded in beeswax and then attached to a string. Lengths of string extend out at both ends of the ornament. The ornament is 45 cm long and 9.5 cm wide.
This is an image showing six stone axes and picks made by people of the Warumungu and Tjingali groups near Tennant Creek in central Northern Territory. On average, the axes are 50 cm long and 20 cm wide, while the picks are 40 cm long and 25 cm wide.
These are four conical pandanus baskets from western Arnhem Land in the Northern Territory. All are painted with natural pigments and date from 1912-13. They are between 43 cm and 76 cm high and their diameters range from 14 cm to 24 cm.
This is a black-and-white photograph showing nine Pacific Islander men using picks and axes to clear undergrowth and small trees from a clearing in a thickly vegetated area at Farnborough in central Queensland. The men are bare-chested, hatless and barefoot, with some wearing sarong-like garments. A white man stands in ...